Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

As two beach volleyball partners focus on personal matters and a championship tournament, a quirky figure disrupts their game on and off the court.

François Damiens has won over French audiences and established himself as the new talent of hidden cameras. In his sketches, he pushes his "victims" to the brink of a nervous breakdown through characters who are as insolent as they are irresistible. Alternating between roles as a tattoo artist, computer technician, and driving instructor, he provides us with moments of laughter and pure enjoyment.

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In the post-war Paris, a young Jewish boy whose parents were deported, met in the subway a well-off boy of the same age with whom he became friends. A second encounter with Max solitary character and rasping will mark him. With these two people the antipodes of one another he will reach adulthood.

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François Damiens once again tricks unsuspecting passersby. His new playground: Corsica.

Canavial de Paixões is a Brazilian telenovela produced and shown by the Sistema Brasileiro de Televisão from 13 October 2003 through 22 March 2004. Based the original text of Caridad Bravo Adams, it was translated into the Portuguese for Enrique Zambelli and Simoni Boer, with supervision of text of Ecila Pedroso and general direction of teledramaturgia of David Grimberg. It had 118 chapters.Bianca Castanho and Gustavo Haddad are the main protagonists. Débora Duarte, Helena Fernandes, Oscar Magrini are the main antagonists.

The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.